Book Review: The Lady Who Lived Again by Thomasine Rappold (Debut Novel)

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This week, I had started and stopped reading three novels -- making it to 25%, and then giving up on them. I was about to call it a bad week of reading for me, and then I started reading Thomasine Rappold's debut novel, The Lady Who Lived Again, finished it, and loved it.

It's New York in the Gilded Age, but Thomasine Rappold has chosen to set her story in the gray and bleak, and appropriately named town of Misty Lake. I like the idea of "mist" -- that not-quite middke ground between clear and hazy -- not as solid-looking as clouds, but not a shapeless notion as fog -- it's perfect for the world where Madeline lives in: where her gift of healing lives alongside modern science.

Madeline Sutter was, perhaps, the fairest of the Fair Five. The leader of a group of the most beautiful and sought-after girls in Misty Lake. The world was their oyster, and everyone adored them. Life was good, and the future for all four girls was bright. Then the world turned upside down, when a birthday picnic in the mountains of Misty Lake ends in the tragic death of Madeline and her friends, but, strangely, Madeline returns from the dead a day after -- coincidentally on Friday the 13th.

Now Madeline bears the scars of the accident, the hostility of the families of her friends, the directed enmity of the town's pastor, and the suspicion of the rest of the town.

For three years, Madeline has accepted her lot as outcast, but, when her only friend, Amelia, one of the Fair Five (who was on holiday at the time of the accident), decides to return to Misty Lake for her wedding, and asks her the be part of the wedding party, Madeline's first instinct is to refuse, but, then, she realizes that Amelia might be right -- that this might be her chance to regain her place in society.

Jace Merrick is the new town Doctor: young, fresh from the Big City -- armed with skills and modern ideas. Jace is looks my for a fresh start after serving in the emergency rooms of Pittsburgh. He is weary and wary, and he is hoping that Misty Lake might restore a little bit of his faith in the world.

This is Thomasine Rappold's mesmerizing and compelling story of two people seeking for the light at the end of the tunnel. Both of them have handled themselves very well and survived on their own, but they discover that life, and the world becomes more bearable when they are together. What keeps you reading Rappold's debut novel is following Madeline's arduous journey, and how she bears the unbearable burden of being the only survivor of the town's worst tragedy. Her only allies are her grandfather, who is too sick and frail, and is confined to the house, her friend Amelia, whose family moved away from Misty Lake, and Jace Merrick, a new addition to the town.

You can't help but admire Madeline, who possesses a quiet dignity, and an overwhelming grace in the face of open hostility, but she is not perfect. You can see Madeline struggle, stumble, and fall -- but you also see a different Madeline, remnants of the old Madeline, one who charms and teases her way to getting what she wants. And I love that Madeline does not wallow in being a martyr -- she keeps herself active and proactive, despite all opposition.

Jace is a modern man who now lives in a town that hasn't moved forward: they've had the same pastor, they've had the same doctor, the same mercantile store owner, etc. -- it's a town that is alive, and bustling, but not quite at the same pace as the rest of the country. When Jace first meets Madeline, he is intrigued by her beauty -- and when he finds out Madeline's story, the scientist in him is intrigued even more.

Love and logic are at opposing poles for Jace, who struggles to maintain a professional distance from Madeline -- and with good reason: if he is to help Madeline regain the town's good opinion, she must preserve her reputation, and, if Jace is to be Madeline's greatest defender, he must show that he is an unbiased opinion. Madeline knows that her gifts are counter Jace's medical background, and the last thing she wants to do is expose herself to more scrutiny and judgment -- but the temptation to experience desire, to be admired for herself and not for her past -- it is irresistible.

Our hero and heroine represent opposite ends of the spectrum: Madeline relies on her emotions and feelings, and Jace is very analytical -- but, they compliment each other very well. Both are able to provide a unique perspective for the other -- I really love how well they worked together in Jace's clinic. ^_^

The Lady Who Lived Again, is, at it's core, a story of "you and me, against the world" -- and Thomasine Rappold could have easily created flat one-dimensional villains, but, the author does the fair thing, and provides the town with an honest, legitimate reason: someone's daughter, sister, granddaughter, cousin, or friend, died that day -- and they can't help but resent and be angry at Madeline, who survived, despite being the one driving the wagon. The town pastor, and the town doctor, could have, as moral pillars, called for calm, and order, but, they, too -- lost that day, and would stand to lose even more if they had stood by Madeline.

How the author resolves all is just as wonderful, and, for me, seals the deal -- making this a true 5-star read for me.

The Lady Who Lived Again is book 1 in Thomasine Rappold's Sole Survivor series, and her debut novel. To find out more about Thomasine Rappold and her books, click below:
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Book Review: The Earl Next Door by Charis Michaels

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Charis Michaels' debut novel, The Earl Next Door unfolds in three acts: the first act establishes the quiet neighborhood of Henrietta Place, which is a character in itself, and is staunchly protected by Lady Stroud, the Marchioness of Frinfrock, who is my favorite character in the book.

We first see our hero and heroine through Lady Frinfrock's eyes, as she observes from the window of her own home the arrivals of Trevor Rheese, and then the arrival of Piety Grey -- who, coincidentally, moved to houses beside each other on the block across from Lady Frinfrock's.

Trevor Rheese is the new Earl of Falcondale, and he doesn't have time to celebrate, at leisure, his newly-given status in society because he is busy trying to repay all of the previous Earl's debts. He has sold all the furniture, and has let go of all the staff at his new home, and now resides there with only one young man in his employ. He has spent his entire childhood and early adulthood living abroad, caring for his fragile mother. They knew they were connected to the aristocracy, but it was a connection that hadn't helped either Trevor or his mother. Trevor had to survive on his own, and ended up working for disreputable men while he was in Greece. When he inherited the title from his uncle, his first instinct is to sell off everything, and leaving.

I understand why Trevor is hesitant to form relationships -- he is tired of depending on people and having people depend on him. He is tired of being responsible for the welfare of others, and he is tired of having little or no control over his life. Trevor is tired, and, he thought the earldom would finally free him from his current situation, but, it turns out to be yet another ball to which Trevor finds himself chained to.

He is in the process of selling off the London townhouse located on Henrietta Place, and he hopes that it will fund his travels to elsewhere -- to anywhere. But he meets Piety Grey, who moved in next door -- and whose house is oddly connected to his house through a secret tunnel.

Piety had intended to move in quietly, repair the house quietly, install a staff quietly, and settle in quietly in her new home on Henrietta Place, but, it seems the dilapidation that her solicitors informed her were sadly understated. She needs to access the second floor of her house through Trevor's house, and she had been told that the Earl would not be at home while she was constructing. But Trevor, the new Earl, is at home, and very unhappy with the interruptions to his anti-social life.

Charis Michaels hooks you with main characters whose initial actions and perceived motivations are curious, and makes you want to know more about them. Then there's the cranky, but lovable old lady who possesses a razor-sharp mind and keen observation. When the author later reveals the very complicated histories of her characters, it just makes this book an even more compelling read. The first part of the book does a great job of establishing the personalities and hang-ups of the characters.

The Earl Next Door becomes more interesting in the second act of the book, when Trevor and Piety get to know each other better. It's with grudging reluctance that Trevor opens his door (and a bit of his heart) to Piety, who charms you with her guilelessness and convinces you with her relentlessness. I love the mix of strength and fragility in Piety. I love her resolve, but I also love that she falters sometimes.

The second act also introduces Piety's mother and her stepbrothers -- the reason for her escape to England. I would credit the author for writing Piety's mother so well -- Idelle Grey-Limpett is really a dangerous mix of veiled insults and open antagonism -- and she frames it all as motherly concern for Piety's well-being and reputation. The author's decision to portray the brothers as a herd -- just giving them names, and making them move and react as a single entity just adds to what Piety has said of them -- that they are oafs, but that they are dangerous oafs with a dangerous pack leader in the form of Eli Limpett.

I wondered at Lady Frinfrock's decision to move the story to her country estate in Berkshire, and opening her doors to Piety's "family" -- but it did provide a lot of entertainment for the old lady, and emphasized the terrible situation that Piety was in when she was in New York -- and added to the urgency of why Piety needed to get away from them.

What I couldn't understand, though, is why her mother and her stepbrothers continue to pursue her despite Piety's willingness to already give them money. In this I could see that, at the core of Piety's mother, is not a heart, but a hollow space of terrible, hurtful intentions. It isn't just money that she is after, but also revenge. But, for what reason?

The author could have ended her story with Trevor arriving at the Marchioness's estate, offering marriage to Piety, and telling her American family to all go to the devil, and it would make for an excellent ending. But Charis Michaels does one better, by writing a third act, where she integrates everything she's presented so far in the first two acts: things happen that challenge Trevor's dreams of living an unfettered life, and the same things happen that challenge Piety's desire to finally be free from her family, and to live an independent life. Our hero and heroine's worlds are agitated, and nothing is going according to the well-laid plans they both made. So now they must sort through their thoughts and feelings, and decide on a new plan -- a new life, one that, hopefully, allows them to live happily together.

I truly, truly enjoyed this story -- this is the sort of book you can't leave behind, but would want to take with you, because you want to read the next chapter, and then the next. I'm so glad that the second book, The Virgin and the Viscount, is finally out, Viscount Rainsleigh was introduced in the latter part of The Earl Next Door, and he has a very interesting backstory.

The Earl Next Door is the stunning debut novel of Charis Michaels and the first book in her The Bachelor Lords of London series. To find out more about Charis Michaels and her books, click below:
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ARC Review: Jilting the Duke by Rachael Miles (Debut Novel)

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There were times when I felt that Rachael Miles's Jilting the Duke didn't read like a conventional debut novel: For one, it's amazing how skillfully she handled so many different threads and create this complex, and layered novel. There's the tangle of spies, subterfuge, and secret codes hidden in Tom's manuscripts. There's the story of Sophia's re-entry into society. There's the Somerville siblings (Aidan, Colin, etc.) and Sophia's extended family.

Then there's the very clever way she talks about Malcolm and Audrey, supporting characters whose story happens before Aidan and Sophia's. The author intersperses snippets of their story with Aidan and Sophia', and, though we only get a small portion of their story, one can sense that the author has already mapped out the world and characters surrounding Aidan and Sophia.

At its core, Jilting the Duke is a story about second chances: Before he left for war, Aidan and Sophia were young lovers who were secretly engaged. While away at war, Aidan receives devastating news that Sophia had married his best friend, Tom. All contact between the friends stopped then, and Aidan has been seething and wondering all these years.

When Tom dies, he grants joint guardianship of his son, Ian, to Aidan and Sophia. Aidan sees it as an opportunity for revenge against his former lover. Sophia knows she will need to face the long-delayed reckoning, and she has no choice but to trust in her late husband's decision. It's a complicated arrangement, and the mastermind is a man who isn't even there. Tom's dead, but, before he died, he knew he needed to make things right between his childhood best friend, and his wife.

I have to hand to it Tom -- he had little time left, but he used that time very wisely. He made arrangements for his wife and son, he wrote letters and bequeathed very thoughtful items to members of his family, extended family, and staff. There were moments as I read about Tom that I vacillated between thinking that he was the most organized, most thoughtful person (real and fictional) that I've ever known, and thinking that he was the most controlling, micro-managing person (real and fictional) that I've ever known.

The opening chapter shows that, despite the perceived betrayal, Aidan had always considered Tom his friend, and had wondered and worried about his sudden death. I love that the author highlights how enduring love is, but how equally enduring (and more resilient) friendship is.

Aidan's plan of revenge was quite ruthless. It was scary how calculating he was in his actions and reactions to Sophia. He intended to gain her confidence, find something that could damage her reputation, and destroy her in the most public way. It's also very convenient that Aidan has connections to the Home Office, so he could easily cast doubts on Sophia's loyalty to England. But, despite the numerous opportunities, Aidan never exacts his revenge on Sophia. At every chance, his love for her overpowers his need for revenge. It's especially poignant when our hero and heroine finally have the conversation, and all their questions are finally answered.

While our initial impression of Aidan is that he is cold and calculating, as the story unfolds, Aidan is shown to be quite an amazing (and incredibly lovable) hero. It's amazing to see just how much he loved Sophia, and how much he valued Tom's friendship, which would explain how deeply wounded he felt when she married Tom. We also see how deeply involved he is in Ian's life. But the author is quick to show that our hero isn't perfect -- he made poor decisions as well, and he's trying to fix them in the story.

Sophia is also an interesting heroine. Her entire life, she was always on the fringes of things: she was distantly related to a title, and the early death of her mother made for a rocky childhood. Plus, her brother, Phineas, is annoying. Meeting Aidan allowed her to embrace and accept all her unique abilities and talents, but, it was, ironically, her marriage to Tom, that really allowed her to take flight. I loved reading Ian's stories about his parents and their work. Tom and Sophia had a really wonderful marriage and partnership.

Which made me wonder about love -- and I appreciate that Rachael Miles has presented us with a story not about our "one true love" but of the different kinds of love that exist and can exist side by side. One can see Sophia's loyalty and love for Tom in how she tries to carry out all of his wishes, and in how well she knows Tom's works, but, at the same time, what Sophia feels for Aidan is unquestionable and undeniable.

But that isn't the end of the story -- because Rachael Miles has also added an intricate web of spy stuff -- there's a spy/double agent who has followed Sophia and Ian from Italy, looking for a secret list and code that Tom possessed and had sent home to England. He has killed in order to get close to Sophia, and poses a real danger to her and Tom. There's also the mysterious person who is advising the head of the Home Office, who is taking particular interest in Aidan Somerville.

And, as I write this, I realize that there is still so much more to the story. It really is a story that can be read, and reread, and, each time, one can pay attention to a particular facet and see how that proceeds -- but the end result will be the same: satisfaction.

Jilting the Duke is Book 1 in Rachael Miles's Muses' Salon series, and her debut novel. To find our more about Rachael Miles, click below:
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Disclosure: I received this ARC through Netgalley. Thank you to Rachael Miles and to Zebra Books for the opportunity. Yes, this is an honest review.

Debut Novel Spotlight: A Rebel without a Rogue by Bliss Bennet

Author: Bliss Bennet

Title: A Rebel without a Rogue

Series: The Penningtons, Book #1

Publication date: 9/15/2015

ISBN (ebook): 978-0-9961937-0-2

ISBN (paperback): 978-0-9961937-1-9

Subgenre: Historical (Regency) romance

Page count: 304

Blurb:

A woman striving for justice

Fianna Cameron has devoted her life to avenging the death of her father, hanged as a traitor during the Irish Rebellion of 1798. Now, on the eve of her thirtieth birthday, only one last miscreant remains: Major Christopher Pennington, who both oversaw her father’s execution and maligned his honor. Fianna risks everything to travel to London and confront the man who has haunted her every nightmare. Only after her pistol misfires does she realize her sickening mistake: the Pennington she wounded is far too young to be her intended target.

A man who will protect his family at all costs

Rumors of being shot by a spurned mistress might burnish the reputation of a rake, but for Kit Pennington, determined to win a seat in Parliament, such salacious gossip is a nightmare. To regain his good name, Kit vows to track down his mysterious attacker and force her to reveal why she fired on him. Accepting an acquaintance’s mistress as an ally in his search is risky enough, but when Kit begins to develop feelings for the icy, ethereal Miss Cameron, more than his political career is in danger.

As their search begins to unearth long-held secrets, Kit and Fianna find themselves caught between duty to family and their beliefs in what’s right. How can you balance the competing demands of loyalty and justice -- especially when you add love to the mix?

Winner:

Hearts Through History’s Romance Through the Ages contest (Georgian/Regency/Victorian category)

Finalist:

The Beau Monde’s Royal Ascot contest

The Valley Forge Romance Writers’ Sheila Contest

* * *

About the author:

Bliss Bennet writes smart, edgy novels for readers who love history as much as they love romance. Despite being born and bred in New England, Bliss finds herself fascinated by the history of that country across the pond, particularly the politically-volatile period known as the English Regency. Though she's visited Britain several times, Bliss continues to make her home in New England, along with her husband, daughter, and two monstrously fluffy black cats.

Bliss's mild-mannered alter ego, Jackie Horne, writes about gender and genre at the Romance Novels for Feminists blog.





Connect with Bliss at:
Web site: www.blissbennet.com
Facebook: https://www.facebook.com/blissbennetauthor
Twitter: @BlissBennet
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Review: Scandalous Wager by Christy Carlyle (e-novella)

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Lizzy Ainsworth is on a mission in Whitechapel -- she is seeking out Detective Inspector Ian Reed, and she intends to have her one night of passion before relegating herself to spinsterhood.

It's interesting that Christy Carlyle chose Whitechapel as the background for her romantic novellas. What's more interesting is that Carlyle decided to set it in Whitechapel, during Jack the Ripper's Reign of Terror. Carlyle has a talent for capturing the essence (and menace) of Whitechapel.

...Fog and smoke filled the air most days, and when the sun did shine on the East End, it only highlighted the layer of grime that seemed to coat the buildings and the clothing of those who inhabited the teeming streets. She never expected to emerge clean from a visit to Whitechapel.
- Chapter 1

Lizzy had long ago accepted that she was the plain sister. Her sister, Sara, was the jewel of the family, and it had never bothered her before, until Ian Reed came into their lives. Suddenly, Lizzy started to feel things she never thought she would ever feel: feelings of inadequacy, a bit of jealousy, and, more importantly, attraction, and desire.

In a sense, Ian's appearance in their lives made Lizzy realize that she hadn't really challenged herself or pushed herself beyond her comfort zone -- and, for the first time in her life, Lizzy finds the encouragement to pursue something that she really wants.

Carlyle focuses on her heroine's agency -- and I love that Lizzy doesn't sit in pity and pine away for Ian Reed -- instead, she's the one who initiates the conversation between them. I think it's incredibly brave of Lizzy to lay her heart on the line, regardless of whether Ian reciprocated her feelings or not.

..."I have something to ask of you, Inspector Reed. Ian."

She could no longer meet his eyes and studied her hands, folded tightly in her lap, as she forced the rest of the words out. "And something to offer."
- Chapter 1

It is quite predictable when it is revealed that Ian was secretly attracted to Lizzy, as well, and had wanted to pursue her, but he was also uncertain of Lizzy's reception. Add to that, the complication that Ian actually works for Lizzy's father in the police department. I was excited to see our hero and heroine together, but their rendezvous is interrupted by reports of another Ripper killing.

I thought this was a very well-written novella with vivid details of Whitechapel -- the added mystery of Jack the Ripper adds to my fascination for this series. The author does resolve the love story between Lizzy and Ian. (However, I am a bit on the fence on the declarations of love after eight chapters -- I don't know if that's just me.) It seems that the author will continue the investigations into the Jack the Ripper killings in the next two novellas in the series. (I already purchased the second one, Wanton Wager.)

Scandalous Wager is the first instalment in Christy Carlyle's Whitechapel Wagers series and her debut. To find out more about Christy Carlyle and her books, click below:
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Review: When She Was Wicked by Anne Barton

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Annabelle Honeycote is a dressmaker and a blackmailer. It's not something that she enjoys doing, but it's become more and more necessary because her salary as a dressmaker isn't enough to pay the rent and pay for her mother's medicine. In order to assuage her guilt, Annabelle abides by some rules, and she never demands more than what she needs.

Perhaps her actions met the crudest definition of the word, but she preferred "accepting coin in exchange for the solemn promise to safeguard secrets."
- p. 4

I was very intrigued by the idea of a heroine behaving in a less-than-honorable way and had looked forward to reading about her exploits, but that didn't seem to be the purpose of this story. What unfolds is how our heroine avoids, then faces up to the repercussions of her actions. When she sends a blackmail letter to the Duke of Huntford, she thought it would be a done deal, but she never counted on Owen Sherbourne discovering her identity.

What happens next surprises Annabelle -- Owen hires her to create a wardrobe for both his sisters, offering her a generous salary and a room in his house. It's an unusual arrangement, and one could question the duke's motivations for propositioning Annabelle, but the author takes care to hint that Owen had found Annabelle fascinating from their first meeting at the dress shop. It's also an opportunity for Annabelle to face one of her victims -- and feel remorse for her present (and past) misdeeds. The author really plays up the idea of "cruel kindness" -- how Owen's sisters' kindness and openness to Annabelle is a double-edged sword. It's painful for Annabelle to accept the goodness and kindness from her new-found friends when she knows how she had such terrible (and malicious) intent towards them in the beginning. Sooner or later, our heroine knows she must confess her sins if she is to have an honest and authentic friendship with Owen's sisters, but she'd rather put it off for as long as she can manage.

Her throat tightened. If her scheme was exposed, she'd lose two cherished friends in one fell swoop.

Which made me wonder about our heroine's moral compass, and our hero's fascination of her: part of me worried that Owen's attraction to Annabelle is out of novelty and curiosity. Annabelle and Owen do have very good conversations and Anne Barton shows how Annabelle is the perfect companion for Owen, who consults her about his sisters and about the household. Is there love between the two? I'm not so convinced of this -- there's a lot of rubbing each other the wrong way (especially with Annabelle and her hideous cap) and a lot of rubbing each other the right way (the thoughtful conversations), but I honestly just didn't see sparks.

...Thoughts of Owen had occupied her all evening. She knew she was foolish to daydream about him, but she gave herself license. Dreaming was less dangerous than doing, and the day had been to magical to stick it in the back of a drawer like a pair of torn stockings and forget about it.
- p. 202

The obvious conflict in the story is class difference, which the author tackles in the relationship between Owen and Annabelle, and also between Rose, Owen's younger sister, and Charles, the estate manager -- but the author ends the story by solving the mystery of Rose's muteness, and their mother's disappearance. It's an abrupt shift of focus, but it does allow Annabelle to put her blackmailing past to good use, when she uses all of her previously collected information to figure out what happened to Rose all those years ago. I honestly didn't like how the latest conflict was used to justify and excuse Annabelle's actions in the past -- granted, they were not that terrible to begin with -- but, I had, honestly, hoped for more from our heroine.

This is a debut novel with a promising premise, and a promising set of characters, but it just didn't work out for me.

When She Was Wicked is the first book in Anne Barton's Honeycote series, and her debut novel. To find out more about Anne Barton and her books, click below:

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Review Request: The Vagabond Vicar by Charlotte Brentwood

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When Charlotte Brentwood contacted me about The Vagabond Vicar, the reason I agreed to read it was that the heroine shared the same name as one of my favorite authors. I hadn't really known what to expect, and was delighted to have read such a wonderful story.

The Vagabond Vicar is a charming romance and follows William Brook, a young vicar who has just been given his first assignment. William had dreamt of working in Africa or India, or some other faraway land -- but his rector has decided to send him to Shropshire instead. William had reservations about being given such a mundane parish assignment when he'd wished for a more challenging location. As he settled into Shropshire, he realized it wasn't as easy as he thought it would be. He was so preoccupied with how he felt about serving Shropshire that he hadn't considered how the people of Shropshire would feel about him. Indeed, there was a lot of resistance, considering the previous vicar had served the parish for more than 50 years.

It's a beautiful "coming of age and a coming of faith" story where William discovers the wisdom in God's purpose for him, but, at the same time, it's a beautiful love story between William and Cecilia. I thought it was interesting how Cecilia, especially, tried to grapple with her attraction to William, who is, a man, yes, but also a man who has a higher calling. William hadn't planned on falling in love either, especially with Cecilia, who, initially struck him as a bit odd ... But, when their paths kept crossing, William slowly started to see the compassionate and caring woman that Cecilia is.

The risk of love meant the risk of pain. His life was a study of careful detachment, a myriad of lives he hoped to touch, without allowing himself to be touched in return. The only people in his life he'd every fully let in were the rector, his first mentor, Thomas, and to some extent, Dean Roberts. Anyone else he'd sought to love was either gone or had rejected him. By and large the Church was safe, and even then he revealed precious little to most of his co-workers. Cecilia made him want to open up, and the way his words tumbled forth impulsively in her presence was frightening.
- Chapter 9

I enjoyed how their love story gradually unfolded, and how each encounter was an opportunity to discover a little bit more about each other. In the end, when they declare their love for each other, there is no doubt that it is genuine and rooted in something greater than just physical appearances. It's refreshing to take the historical romance out of the ballrooms and receiving rooms during The Season, and have the courtship happen as part of one's daily/regular journey.

She gazed out the window at the roses and foxgloves, but what she saw was the blooming of something infinitely precious in her own being. He was so kind, so generous, and yet so mysterious. A man of the world, and yet also a man of the cloth.
- Chapter 12

The Vagabond Vicar encapsulates village life very well -- portraying both the pleasant and not-so pleasant aspects of Shropshire.

After breakfast two mornings later, William found Emma polishing the mail salver industriously in the parlour.

"Good morning, Emma," he greeted her. "I am sure you will be able to see your reflection in that tray by now."

The maid broke into an uncharacteristic smile. "I need to use this, sir. You have mail. Proper letters, like."

"Oh, really?"

The possibility of news from the outside world was pathetically thrilling. "Where is it?"

Emma patted the right pocket of her apron.

"May I have it, then?"

She shook her head and looked wounded. "If you'll only sit down, sir, I'll bring it to you on the salver, properly."
- Chapter 4

A friend who recently started reading romance novels asked me to recommend authors/stories that were similar to Jane Austen. I think I've got one for her, and this is it.

The Vagabond Vicar is Charlotte Brentwood's debut novel. I was so happy to read that there will be two follow-up novels after this. (According to the author's end notes, Book 2: Gloved Heart will feature Amy, and Book 3 is titled Mr. Barrington Meets His Match.)

To find out more about Charlotte Brentwood and her books, click below:
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Disclosure: I received a copy for review from the author. Thank you, Charlotte Brentwood, for the opportunity. Yes, this is an honest review.

ARC Review: The Courtesan Duchess by Joanna Shupe

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Julia, Duchess of Colton, is desperate. Her funds are low and the man overseeing her husband's estate has just threatened to whittle her funds even more. Her mother-in-law, the Dowager Duchess, doesn't care about her, so she's left with a desperate plan: to find her husband in Venice, seduce him, and get herself with child. She hopes that carrying a potential heir would give her the leverage she needs to bargain for her future.

Joanna Shupe's debut novel offers an intriguing concept: a lady with one of the loftiest titles in society resorting to seducing her own husband using skills she learned from a courtesan.

Nick never wanted the title, or the wife, but both were forced upon him. He'd escaped to Venice, leaving the dukedom and his wife behind. For 8 years, he'd only had to consider himself and his own pleasures, but, when he met Juliet/Julia, Nick's perspective changed a bit.

There seems to be this invisible line between how husbands treat their wives and their mistresses. The prior with deference, respect, and esteem, and the latter with everything else. But, what if one's wife was one's mistress? It is a quandary that Nick, the Duke of Colton, finds himself in when he discovers his wife's plan. The internal debate that Nick engages in is compelling: how does he bridge the divide between lover/wife? It's difficult for him to reconcile that the woman he desires and the woman he ought to revere are one and the same.

It's also something that affects Julia. As Juliet Leighton, Julia enjoys the freedom of being able to speak her mind and express her desires. As Juliet, she's able to captivate her husband in a way she never did or could. Our heroine has walked through both worlds, and each one has it's own unique set of advantages -- but, given a choice, would she rather be Julia or Juliet?

The mention of the alcove was like a douse of cold water How many alcoves and how many women in his past? No doubt he'd trysted in buildings from Paris to Pisa.
- loc 356

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"Mrs. Leighton," Veronica began in a thick Venetian accent, 'have you made the friendship with Sarah Siddons? I hear many stories of her talent on the stage."

Julia coughed to cover a gasp. If she, a duchess, associated with an actress -- even the famously talented Sarah Siddons -- a horrific scandal would result. But she reminded herself that Juliet Leighton was not a duchess. She sipped her coffee and decided to answer diplomatically. "While we are not friends, I have seen her perform many times. She is truly talented."
- loc 393 - 401

There's a lot happening in the story: there are the repeated attempts on Nick's life, there's Nick's past, and there's Nick and Julia. The wonderful thing about Shupe's storytelling is that it never feels jumbled or confusing. It's a really well-laid out story where the action and drama build up gradually.

The author also succeeds in establishing the series and the characters involved in the series. I loved Simon Winchester and I'm very interested to read his story. There's something about him being the quiet, supportive, and understanding best friend to both Nick and Julia that really appealed to me. I did cringe at how quickly and easily Juliet/Julia transferred from Simon to Nick -- but, in the greater plot of things, it would have affected the flow of the story had the author dwelled on that point.

Overall, a solid start to a promising series.

The Courtesan Duchess in the first book in Joanna Shupe's Wicked Deceptions series and her debut novel. It will be released on March 31, 2015. To find out more about Joanna Shupe and her books, click below:
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Disclosure: I received this review copy via Netgalley. Thank you to Joanna Shupe and Zebra Books for the opportunity. Yes, this is an honest review.

Blog Tour: I've Got My Duke to Keep Me Warm by Kelly Bowen (Review + Giveaway)

Love Saves the World welcomes Kelly Bowen and her debut novel, I've Got My Duke to Keep Me Warm.

Kelly is hosting a Tour Wide Giveaway for a $20.00 Amazon or B&N eGift Card. Enter via Rafflecopter below. To visit the rest of Kelly Bowen's stops, click here.

* * *

About the book:

Blurb:

Where Secrets Smolder ...

Calm. Cool. Collected. Gisele Whitby has perfected the art of illusion -- her survival, after all, has depended upon it. Years ago, to escape an abusive husband, Gisele "disappeared." Now she must risk revealing her new identity to save another innocent girl from the same fate. But she needs a daring man for her scheme, and the rogue in question shows a remarkable talent ... for shattering Gisele's carefully constructed façade and igniting her deepest desires.

... Passion Ignites.

This isn't the first time Jamie Montcrief has awakened naked and confused from a night of drinking. It is, however, the first time a stunningly beautiful woman offers him payment afterward. Gisele has a business proposition for him, a mission involving cunning thievery and a brazen rescue. How can he say no to a plot this dangerous ... and a woman this delectable?



Excerpt:

Well, shit. He deserved that. “Who are you?”

She smiled at him, the first genuine smile he had seen, and it did strange things to his chest.

“I am ... just Gisele.”

That was helpful. He knew nothing more about her than he knew last night. Annoyance bubbled up again. “Very well then Just-Gisele, since you won’t tell me anything useful about yourself, would you be so kind as to enlighten me as to what it is you’d like me to do should I accept your generous offer of employment?”

Her smile turned brittle. “Not yet.”

“Not yet?” Jamie’s eyebrows shot up to his hairline. “How the hell am I supposed to make a decision based on not yet?”

The ice queen shrugged. “You’ll have to trust me.”

Jamie closed his eyes, fighting for patience. “Will I need to steal something?”

“Unlikely.”

“Kill someone?”

“Hopefully not.”

“Blow something up?”

“You’re familiar with explosives?”

His eyes popped open at the undisguised interest in her last question. What the hell kind of woman used the word explosives the way most used the word marmalade? Or teapot?

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My Review:

Giselle Whitby faked her own death four years ago to escape the horrific life she led as the wife of the Marquess of Valence. She's been content to live quietly away from London, but now Giselle needs to return from the dead to save another poor lady from a terrible future. Giselle has a plan, but she needs a man who could move within society to implement it.

Giselle is more questions than answers, but it is understandable, considering the abuse she suffered from her husband. She's reluctant to share any part of herself with Jamie, even though she is trusting him with the important job of preventing a lady from marrying the Marquess of Valence. This is not to say that Jamie is an open book, because he isn't. Jamie Montcrief is the bastard son of the Duke of Reddyck -- he has sold his commission and had intended to drink himself into oblivion until Giselle walks in and "kidnaps" him. There's also a lot of questions surrounding our hero and his family and, as the story progresses, the author also unravels the mystery of James Montcrief.

The title and the cover for this book makes one believe that this is a Christmas-themed historical romance, but it isn't. Kelly Bowen's debut novel is, in fact, a really riveting reverse-caper story. Reverse, because it's actually the good guys who are plotting against the villain.

Ever since her death, Giselle has helped women in similar situations. She's rescued them, and placed them in better situations far away from their old lives. She's done this with the help of a very unconventional group of people. This was my favourite part of the novel, and very reminiscent of Ocean's Eleven and Mission Impossible, because Giselle's friends all have pasts that most people would not forgive or forget, but they also have a very special set of skills. As with Giselle, these characters' lives would have been so very different (and tragic) had they not been given a second chance. It's imagining this that gives Giselle's latest mission the urgency that it does -- Giselle has been there and was lucky to survive it, but Lady Julia might not be so fortunate.

For this particular mission, however, Giselle only needed the assistance of Eleanor, the Dowager Duchess of Worth, Sebastian, and Jamie. I have to say that I really loved the Duchess of Worth. I enjoyed reading about her eccentricities, but I also loved how sharp her mind was. (Actually, all of Kelly Bowen's characters are interesting. ^_^)

The caper is at the centre of this story, but the author equally develops the love story between Jamie and Giselle. Trust is a hurdle for our hero and heroine. As they've only known each other a short period, it's very understandable why both of them are so hesitant to step out of their comfort zones. It's part of what I liked about this story -- there wasn't a big info-dump in the story that explained all. Instead, Bowen pieces together the puzzle very gradually -- and the pacing of this story was excellent. Jamie and Giselle both earn each other's trust (and, by their actions, have proven themselves worthy of the other). The "I love you" still surprised me, though -- I didn't think enough had happened to merit it, but, again, I realise that Giselle's only experience of "love" and a relationship would give her a greater sense of what is good for her -- and, maybe, she has determined that it's Jamie that is good for her.

The dialogue and pacing are very snappy, and matches the plot of the story -- overall, this is an amazing debut and an amazing start to the series.

Disclosure: I received a review copy of this book as part of the tour. Thank you to Kelly Bowen and Forever (Grand Central Publishing) for the opportunity. Yes, this is an honest review.

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About the author:

Kelly Bowen grew up in Manitoba, Canada. She worked her way through her teenage years as a back country trail guide and ranch hand. She attended the University of Manitoba and earned a Master of Science degree in veterinary physiology and endocrinology.

But it was Kelly's infatuation with history and a weakness for a good love story that led her down the path of historical romance. When she is not writing, she seizes every opportunity to explore ruins and battlefields.

Currently, Kelly lives in Winnipeg with her husband and two boys, all of whom are wonderfully patient with the writing process. Except, that is, when they need a goalie for street hockey.

Author Links:

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* * *

Giveaway:

Kelly is hosting a Tour Wide Giveaway for a $20.00 Amazon or B&N eGift Card. Enter via Rafflecopter below. To visit the rest of Kelly Bowen's stops, click here.

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Book Review: Once Upon a Duke by Eva Devon

Click here to buy the book on Amazon
When Maire Claremont announced that she would be writing funny Regencies, I was instantly intrigued. I love her books as Maire Claremont -- I love how dark and angsty they are, so I wondered how her particular way of storytelling would translate to humour.

Once Upon a Duke is her debut novel as Eva Devon and the first book in her Duke's Club series. It features Kathryn, a wealthy widow newly arrived to London, determined to experience everything that London has to offer -- and she means EVERYTHING. She promised herself a scandal, and doesn't shy away from pursuing it. Her target is Ryder, the Duke of Darkwell, a man known for his sexual prowess and emotional distance -- two of Kate's requirements. She's not looking at long-term attachments, she's just in London to have fun, and enjoy the freedom of being a widow with a lot of money.

Kate bit back a smile. She'd planned for this for months, and the attention focused in their direction was wonderful confirmation she was no longer a country mouse. Oh no, she was a woman ready for scandal.
- Chapter 5

I'm a bit on the fence about Kate's decision to court scandal -- I thought it showed really poor judgment on her part, especially given the reason for it. Is it really, only just to spite her late husband? I would have loved it if she had decided on this course simply because -- I thought it was ironic that she was trying to break free from her late husband, but her present decisions were still controlled by him.

This was what she'd wanted. To be part of this life, and it was fascinating. The carefree extravagance of these people who did nothing but play and seek out entertainment. Perhaps Percy had played in this very room. He had drunk champagne, thrown away her money and spent a bit of time on the couches in the shadows. Well, now it was her turn to have some freedom. Freedom he had denied her.
- Chapter 5

Perhaps if I was reading this without knowledge of the author's other works, it would be fine, but, I couldn't help but compare Once Upon a Duke to Maire's Dark Trilogy (I like the latter more) -- I actually enjoyed the "dark/sad" parts of this novel more. When the author writes as Maire Claremont, she's able to maintain the drama and high emotion of her stories from beginning to end, but she seems to be a little less consistent when it comes to humour.

There are some outrageous moments in Once Upon a Duke, and I love dialogue between Kate and Ryder --

..."I wish to finally know pleasure." lord alone knew Percy Caldwell had given her only enough intimacy to be declared her husband.

A soft laugh rumbled from the duke's lips.

She frowned. "You think I jest?"

The Duke of Darkwell brushed her hand aside then lifted his own strong one to slide a curl back from her forehead. His fingers lingered at her temple and wound into the curls just behind her ear. "I believe you to be quite serious. Your being here, along, in my room, makes me quite aware how you wish me to -- how did you put it?" He gazed down at her through half closed eyes, "Pleasure you."

Kate couldn't stop herself from smiling, even as heat raced straight between her thighs.

"The real question is exactly how did you wish me to pleasure you?"

She stilled under his touch. Was there more than one way? The possibility was thrilling. "Tell me the choices and I'll tell you how I wish it."
- Chapter 2

But there are some parts of the novel that makes me think that the author is still stuggling not to give over to the "dark side." There are hints of it in the story: Ryder and the ivory-colored ribbon on his wrist, his mood swings, etc. This is what made it a compelling read for me: how Ryder struggled to hold on to his past as he moved towards the future. I think it's a valid desire to want to keep the memory of his late wife alive and really sympathised with him as he struggled to remember her. Letting go of the past is easier said than done, and it is more difficult when the past involves a person you loved very deeply. In Ryder's case, there was a question whether it was love that was driving him or if it was guilt over her death.

He let Jane's birthday pass without notice.

Even now the thought made him want to vomit.
- Chapter 23

I could also sympathise with Kate: it's difficult to have come second to Ryder's late wife, Jane. She's really fighting for her space in his heart. I really would have wanted to read more about their struggle, but the story mostly glosses over this part. The resolution also happens a bit too quickly. (The presentation of the conflict and resolution happen in the last two chapters of the book.)

Overall, this was a good read and a good start to the series. The author has introduced the three other members of the club: Jack Eversleigh, the Duke of Hunt, the Duke of Roth (only mentioned, but hasn't really shown up in this novel), and the Duke of Aston (whose sense of humour is a bit odd -- in an intriguing way).

Once Upon a Duke is Book 1 in Eva Devon's Duke's Club series. To find out more about Eva Devon and her books, click below:

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***To read my reviews of her books written as Maire Claremont, click here.

Book Review: Never Desire a Duke by Lily Dalton

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It's an often-used trope in historical romance: they meet, fall in love, get married, and are about to start a family -- the perfect ending to this story would be the birth of the child, but, in Lily Dalton's debut novel, Never Desire a Duke, the perfect ending never happens. Sophia gets upset when she discovers love letters from Claxton's former mistress, and suffers a miscarriage when she tries to leave him. Grief, anger, guilt -- the result of this one moment destroys the fairy-tale marriage between our hero and heroine. Claxton decides to take the diplomatic post abroad, believing that what Sophia needs the most is time, space and privacy. It is seven months later and Claxton is back from his assignment abroad. While he knows that Sophia could never forgive him, he still believes that they can rescue their marriage. Imagine his surprise when Sophia asks him for a separation.

He had no idea how to take her pain away or how to return their world to centre. At the same time, he felt so angry at her. He'd harboured such hope. He could not help but feel betrayed.
- Chapter 4

This is a story about second chances, about a couple who has drifted apart and must now try to find their way back to each other -- what is surprising about Dalton's version of this story is the heroine. Sophia isn't the sentimental or emotional party in this story -- it is Claxton. I thought this was a refreshing (and welcome) change. It was Claxton who was vulnerable and wore his heart on his sleeve and Sophia was careful and guarded her heart (and body) against Claxton. Our hero is in a difficult position: how can he convince his wife to give him a second chance? How can he explain when she has closed herself off to him? Sophia is ready to wage war with him, but all Claxton wants to do is wage peace. War and peace: where is the middle ground for this young couple?

The answer? In a village full of lovable characters, at Claxton's childhood home during a snowstorm. (And it also happens to be almost Christmas.)

Dalton's debut has all the elements that I love about stories about reconciliation, but I had a small problem with the emotional tone: the beginning is very dramatic and I was really expecting a story with a lot of angst, tears, and angry confrontation -- but, the story shifts and becomes unexpectedly lighthearted. It happens quite early in the story, so I was able to adjust to it -- but, then, there's Chapter 6 and a shooting.

A crack shattered the air. Atop her, his every muscle went taut.

"Someone?" Sophia strained to see if a tree branch had given way under the weight of the frost, but --

"Stay down," he growled, splaying his hand over her forehead and curling his body over hers. Crack. A split second later, a shower of snow covered them both.

His chest vibrated against hers as he uttered, "We're going to have to run for the wall over there."

The sudden realisation came over her. A tree hadn't made the cracking noise, but a gun. Someone was shooting at them.

"Who is trying to kill us?

"I don't know."
- Chapter 6

(This scene takes a somewhat comic turn with the appearance of Lady Meltenbourne and her angry husband). Lady Meltenbourne also begins this story as a bit vicious: singling out Sophia and prodding her about Claxton's absence (Chapter 1), but, her character changes after Chapter 6. For me, these sudden shifts affected the flow and momentum of the story and I had to keep flipping back to see if I had missed anything.

The story finally finds some consistency after this point, and it's wonderful to read about Camellia House and the Kettles, the couple who were in the employ of Claxton's mother and now of Claxton. Dalton captures the warmth and quaintness of the small village setting and I really enjoyed the lookabout game that Sophia and Claxton embark on. Though we never meet her, Claxton's late mother sounded like a really wonderful person and a bit of a tragic character, considering what she had to endure from her husband. The game is, in a sense, a time-travel activity for Claxton, who is reminded of the goodness and love of his mother and of their small community. The game is also revelatory for Sophia who can now understand what motivates/drives her husband.

No heart is hard enough or cold enough to withstand the onslaught of such warmth, merriment and good cheer, and Sophia slowly (but still reluctantly) starts opening up to Claxton. Her main concern is Claxton's former amours and her worry that Claxton would continue to engage in extramarital affairs. While Claxton has repeatedly assured Sophia of his fidelity to her, I understand why Sophia is worried. It's clear that her image of Claxton has been shattered and she feels betrayed by him -- She hates the whispers around her when they are in society. She hates knowing that her husband has shared himself with other women. Her first instinct is self-preservation, and this is understandable -- but I also like that she hadn't completely closed the door on their story.

"The poor duchess," whispered one of the women, but loudly and plain enough for Sophia to hear. "So young and pretty, forced to abide 'is lordship's strumpet sitting right there."

Someone shushed her sharply.

Sophia's hand tightened on the cup. The poor duchess. That would be her. ...
- Chapter 7

The best part about Dalton's story is the reflection on marriage and relationships -- Sophia and Claxton had a marriage, a good and happy one, but they didn't have a good relationship, which is why things fell apart the way it did. Now, snowbound and away from their usual routines, Sophia is getting to see a side of the duke that she has never seen before, and vice versa -- there are real and honest conversations that happen between the two of them. Being in Claxton's childhood home also served to contrast the marriage between the former duke and his wife (Claxton's parents) and the current duke and his wife. Healing, forgiveness, understanding -- it's magical how the human heart is capable of such grandness.

Never Desire a Duke is the first book in Lily Dalton's One Scandalous Season series and her debut novel. To find out more about Lily Dalton and her books, click below:
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Spotlight on: Promised to the Highlander by Kate Robbins

I was introduced to Kate Robbins by author Ceci Giltenan and I'm in the process of reading her debut novel, Bound to the Highlander. Kate released the second book in her Highland Chiefs series last May 30: Promised to the Highlander.

Blurb:

Nessia Stephenson's world was safe until a threat from a neighbouring clan forces her to accept a betrothal to a man whose family can offer her the protection she needs. The real threat lies in her intense attraction to the man who arranged the match -- the clan's chief and her intended’s brother, Fergus MacKay.

When powerful warlord Fergus MacKay arranges a marriage for his younger brother, William, he has no idea the price will be his own heart. Fergus is captivated by the wildly beautiful Nessia, a woman he can never have.

When the feud between the MacKay and Sutherland clans escalates, Nessia, William, and Fergus all must make sacrifices for their future. Longing and loss, honour and duty. How can love triumph under such desperate circumstances?

Excerpt:

William paced while Fergus leaned back in his chair with his long legs stretched out and his arms crossed over his chest. Stephenson was late, not by much, but enough to make William fidget and Fergus take notice. Their three younger siblings, Freya who was in her sixteenth year, John who was fourteen, and eleven-year-old Stephen, waited as well, all in various states of impatience.

The great hall was large and welcoming with dark wooden beams framing the ceiling and walls. Fergus had counted the eighteen beams along the length of the room about a hundred times. William had worn a permanent path on the wide plank floor in front of the red sandstone hearth beneath the many MacKay hunting trophies. Young John sighed again.

“You know, for a man who isn’t eager to meet his future wife, you’ve got quite a set of nerves there lad,” Fergus said to William.

William straightened his linen shirt and smoothed his tunic as he glared at Fergus. Yet, the comment was absorbed and William ceased his pacing to sit on a chair near the fire. Fergus watched his brother adjust his belt again. The young man wore his usual dress, but had taken greater pains today to perfect his appearance. Fergus glanced down at his linen shirt and leather sleeveless tunic. William’s long hair was tied at his nape while Fergus’s was left hanging loose. Fergus recalled having to take extra pains upon his betrothal. Thankfully, those days had passed and he needn’t overly worry anymore. A young lass would surely find William’s neat, respectable appearance appealing. He hoped so, but before he could dwell on it further a servant entered, announcing the arrival of Thomas Stephenson, his daughter Nessia and several of their clansmen.

William sprang to his feet and crossed the floor in a few quick strides to greet them. He continued to fidget as Fergus sauntered up from behind.

“Thomas! Welcome. We thought we’d have to send out a search party soon.” Fergus led the stout man into the great hall.

“Aye, the road was a bit rough with a wagon in tow.”The man’s brow was streaked with sweat and he looked weary from his travels.

“We’ve had a lot of rains this harvest, there’s no doubting that.” In truth he would have gone searching himself had another hour passed. Earlier that day he’d heard more rumours about Ronan Sutherland. Apparently, the lad had agreed to his father’s suggestion and would commence his campaign in the coming days.

Fergus sensed William stiffen beside him as Thomas began the introductions.

“Fergus, William, this is my brother Neville and these three are my sons, Colin, Robert, and Camden my youngest. And this is my daughter, Nessia.”

Fergus acknowledged each man in turn. When the introduction came to the girl and his gaze fell on her, his breath caught in his throat. With black hair and bright blue eyes, she stood proudly before him with her chin lifted and all the regal confidence of a noblewoman. She displayed no fear or reservation at all, something which was unusual in most men he met, but was more so in a woman. The gentler sex usually cowered before him—not this lass.

Fergus stared at her, his heart drumming hard inside his chest. His guts clenched as if he’d been punched. He had to force himself from moving toward her to touch her hair, which looked like spun silk, for surely it could not be real.

Fergus remembered his brother then, and tore his gaze from her to find William’s eyes wide and his jaw slacked. An unexpected pang ran through him. When he
turned back it was to find her still staring at him, seemingly unabashed for staring openly at a man. A bold one, then. Fergus drew his brows together. What did she want?

Buy Links:

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About the author:

Kate Robbins writes historical romance novels out of pure escapism and a love for all things Scottish, not to mention a life-long enjoyment of reading romance.

Kate loves the research process and delving into secondary sources in order to blend authentic historical fact into her stories. She has travelled to Scotland twice and visited the sites described in her Highland Chiefs series.

Her Highland Chiefs series is set in the early fifteenth century during the reign of James Stewart, first of his name.

Kate is the pen name of Debbie Robbins who lives in St. John's, Newfoundland, Canada with her man-beast and two man-cubs.

Kate's website: http://katerobbinsauthor.com
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Goodreads: https://www.goodreads.com/katerobbins

ARC Review: Must Love Dukes by Elizabeth Michels (Debut Novel)

Click here to preorder the book on Amazon (Release date: February 4, 2014)
Click here to pre-order the paperback copy at The Book Depository
The first thought that came to mind as I was reading through the early chapters of Elizabeth Michels's debut novel, Must Love Dukes, is that she mixed up the sequence of the love story. And this is a good thing. Her hero and heroine end up sleeping together first and then spend the rest of the novel figuring out what kind of relationship they have. It's a refreshing change from the conventional love story. The novelty of the beginning piqued my interests and made me excited for how the author would lay out the rest of her story.

In between the beginning and the end, we read about how Devon wrestles with his attraction to Lily and his sense of betrayal because he doesn't know if he can forgive or trust her when she stole his pocket watch after their night together and then also discovering that she lied about her name, and her life. A battle of wills ensues as Devon seeks Lily's help in exacting his revenge against his late father's detractors. It's a test for both Lillian and the readers as Devon instructs her to do some seemingly mundane tasks for him. Part of me wondered about Devon's intentions and shared Lily's debate on whether she should trust him and go through with the task. It would have been so easy to just refuse him --

"When you dance the next waltz with Hingsworth, you will place this in his pocket without his notice." He pulled a handkerchief free, holding it between his fingers in front of her.

"I do not wish to be near that man, much less have my fingers in his pockets."

"As much as it warms my heart to know that you only enjoy delving into my pockets, this is what you must do to keep my silence. It's for your own reputation, Lily. I can just as easily tell the world what happened between us."

"What is the significance of this handkerchief?"

"It is the metaphorical handkerchief waved at the beginning of a great race. Its whiteness is a symbol of your unblemished past and purity. It's a square of linen, which represents the paths of our lives woven together in this moment." A smile broke across his face.

"You know that's not what I meant. What will this do? What will happen? Does this handkerchief belong to Hingsworth?"

"No, as it happens, it is an old one of mine. But that's no consequence. Do as I say and all will go to plan."

"What plan?"

"You will see." He grinned.
- loc 1411 to loc 1420

But, I guess it is a testament of Lily's love for Devon. Even when she didn't realise it (yet), something within her innately trusted Devon and recognised that this is a man who cannot possibly do anything wrong. So, she accomplishes her tasks and then see the results of her action/contribution to Devon's schemes. This led me to reflect on a second point: was Devon in sole control of their relationship? It seemed like it because he would issue a dare and Lily would follow. In fact, the blurb highlights the role of "dares" in Devon and Lily's courtship.

What is a "dare"? I think this word has taken on a bit of a negative connotation in our times (to mean something foolish or reckless) but, it actually means to have the courage to do something. This is exactly what Lily needed to do in her life: her elder brothers are dictating what she should be doing for her own sake and for the sake of their family -- but it is not what Lily wants to do. Her protests fall to deaf ears as her brothers, especially Solomon Phillips, continues to pull her hither-and-to like a puppet for their own pleasure and advancement. Even if it was not Devon's primary intention, he actually gave Lily the tools to speak her own truth when he dared Lily to do those tasks for him.

Their courtship does not happen in the traditional sense, but it is to be expected from a couple who did not meet in the usual way. Still, I kept waiting for the same spark of attraction and awareness that blazed so brightly in the early chapters to show up in the latter chapters -- but, sadly, it does not and I thought this was a lost opportunity for the author -- because the conversation between Lily and Devon at the Stag and Doe tavern over sangarees was amazing and the chemistry between the two was so very obvious. Throughout the story, they never discuss or revisit what happened to them a year ago: there is no confrontation, no explanation -- and, I felt a bit frustrated when they ignore the building blocks that they had laid out a year ago and built a new relationship on a different foundation.

Reading this story made me realise how impatient I am as a reader -- when an action happens, I want the explanation for that action to happen now (or, at least, soon); when the hero or heroine says something, I want the explanation for it now (or, at least, soon) -- this is not the case for this story. This is a story that requires a great deal of trust and patience from the readers. In fact, the reason behind Lily's theft of Devon's pocket watch (which happens in the first three chapters) is not explained until the very end of the story.

Elizabeth Michels poses a lot of questions at the start of the story (Why did Lily follow Devon into the bar? Why did she steal the pocket watch? Why didn't Devon say who he was? etc.) and, to her credit, she does a good job of building up suspense before revealing all in the end. My one small, small problem with it, however, is that I honestly thought the reason wasn't substantial enough to justify the loss of Lily's virginity to Devon. It was too big a sacrifice and I don't know if this makes the heroine incredibly noble or incredibly unwise.

Devon's motivations were much easier to understand. His father died with the world thinking he was mad. Devon has inherited the dukedom and, sadly, the same reputation and is known in society as "The Mad Duke" -- is Devon really mad? No. I actually loved how intelligent he was and how differently he saw the world.

"You know you tilt your chin to the right when you're angry?"

"Shhhh. We are enjoying the view in silence."

"Right." A moment passed and all the while she could feel his gaze on her. "The Himalayan goral gets a similar peevish look when you near its young."
- loc 1778

Is he loveable? As the title asks/requires us to? I have to admit that Devon has a certain charm and he does endear himself to me as a character -- especially in the end, when the situation calls on Devon to take on a dare of his own: To love Lily and to show the world just how much he does.

Must Love Dukes is the first book in Elizabeth Michels's Tricks of the Ton series and her debut historical romance novel. It will be released on February 4, 2014. To find out more about Elizabeth Michels, click below:
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Disclosure: I received this ARC via Netgalley. Thank you to Elizabeth Michels and Sourcebooks Casablanca for the opportunity. Yes, this is an honest review.